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Diane

by Daniel Pioro

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about

Pronunciation – dee-ann

I originally wrote this piece of music as the credits sequence for a very special short film by Lindsay Zibach called Seeing Diane Arbus. Although I scored the whole film, this final sequence has lived in my mind since, and I wanted to isolate it from the film score and, with certain additional sonic elements, give it a fragile but full life.

There is nothing deep about this piece. Or rather, it’s as deep or as shallow as the listener will allow it to be. Where I am particularly fond of the inner lines in the string ensemble, others may find more meaning in the plaintive solo violin line, while others still may lament the brevity of the droned synth lines and spectral strings that make up the first part of this
work.

Diane is a sonic photograph. The listener will decide whether it’s a 2D decoration, or a lifetime of hidden stories.

–Daniel Pioro

credits

released February 16, 2022
Composer: Daniel Pioro
Solo violin: Daniel Pioro
Synths: Daniel Pioro
Ensemble
Violin: Jonathan Morton
Violin: George Smith
Viola: Andrew Berridge
Cello: Clare O’Connell
Double bass: Daniel Griffin
Piano: Daniel Pioro
Ensemble and solo violin recorded at Castlesound Studios, Edinburgh
Synths recorded at StudioOrphir, London
Mixed by Erland Cooper at StudioOrphir
Mastered by Valgeir Sigurðsson at Greenhouse Studios, Reykjavík
Cover design and photography by David James Grinly
Label: Bedroom Community

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about

Daniel Pioro London, UK

Daniel Pioro is a soloist, collaborative artist, and advocate for new and experimental music.

Based in London and Edinburgh, he has performed as soloist with the London Philharmonic Orchestra, the BBC Philharmonic, the London Contemporary Orchestra, and the BBC National Orchestra of Wales.
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